Wednesday, October 20, 2010
One day you'll understand.
Wednesday, February 3, 2010
You're welcome, Part II
"Among the islands of Polynesia, no sooner are the images overturned, the temples demolished, and the idolators converted into nominal Christians, than disease, vice, and premature death make their appearance. The depopulated land is then recruited from the rapacious hordes of enlightened individuals who settle themselves within its borders, and clamorously announce the progress of the Truth." (Herman Melville, Typee)"We Americans are the peculiar, chosen people — the Israel of our time; we bear the ark of the liberties of the world." (Herman Melville, White Jacket)
A group of American missionaries goes to Haiti in search of orphans to save (with every connotation that little verb can muster). They pick up thirty-three children and head to the Dominican Republic, but are arrested at the border for having taken the children without documentation or without verifying that the children were even orphans. Are these folks kidnappers? (see story here)
Well, to put it plainly, to evaluate the situation based on the act itself rather than on the internal world of these missionaries' thoughts, yes. Yes, they are kidnappers. But what of the world in which they fancy themselves God's elves? What of their belief that they were on a mission ordained by Christ, that they never had any intentions of trafficking children, that they were actually doing good? Must this be taken into account? Again, I say yes; but maybe not in the way Idaho's Central Valley Baptist Church would like.
For the record, I fully buy the story of the missionaries. I do believe that they acted with the best of intentions, and that their enthusiasm and naivete blinded them rather than that their Christian mission is a cover-up for some nefarious plot. And maybe the children had a darker future awaiting them in Haiti than they did in a Baptist-run orphanage in the Dominican Republic or in the custody of adoptive parents in the U.S. This viewpoint was partially validated when it emerged that some of the kids actually were not orphans, but were handed over to the missionaries by their own parents, who were promised that their children would be educated in America and placed in loving homes with swimming pools. So this will not be a commentary on if or how these people should be punished, because frankly I don't have an opinion. What they did was illegal, but was done with the best of intentions. You can't take children out of a country without proper documentation, but some of them were handed over by their own parents. So it's all criminal and beneficent and bad and good and on and on and on...we have courts to address those questions.
What bothers me is not the difficulty of finding an answer to these legal and ethical questions, but the mindset that would justify such actions in the first place. What bothers me is that the real problem resides in the very term thrown around in an attempt to exonerate these do-gooders for their do-gooding: Faith.
Understand, when I criticize faith I don't mean to criticize people of faith (though I think that label is unfortunate for reasons I'll soon disclose) or religion per se, but rather a particular brand of faith that subordinates ethical coexistence to unethical but well-intentioned behavior, and opens the door to a form of imperialism that can always revert back to an ethical standard derived from a plane unavailable for assessment by non-believers.
It's a deficient version of the paradoxical faith of Abraham as conceived by Kierkegaard. In Fear and Trembling, Kierkegaard describes the faith paradox as being predicated on the "strength of the absurd." After decades of barrenness, God has not only granted Abraham a son, but promised that this seed shall give rise to a great nation. Since Abraham has absolute faith in the word of God, he doesn't question the order to kill his son, but, on the strength of the absurd, believes that he can both obey the order and get his son back in some undisclosed way. Furthermore, in obeying the word of God, Abraham here must disregard the ethical--he must reject the social world and exist only to obey God. He can't explain his actions, since they are justifiable only on the strength of the absurd and are simply unjustifiable to the world at large. To the earthly world beyond himself, Abraham is, at the moment he reaches the top of Mount Moriah, no more than a premeditated murderer. That God stops him at the last second does not justify the silent preparation and intended execution (for it had to be intended, otherwise it wouldn't constitute an act of faith and then Abraham would just be some guy).
Kierkegaard calls this rejection of ethics in the service of the absolute the "teleological suspension of the ethical," and if you don't have God whispering in your ear or thundering down at you from the mountaintops you can still teleologically suspend the ethical if you really think you're working toward a godly end. And therein lies the problem with those religious factions who value blind faith over less nihilistic versions of religious observance, like piety, for example. Any post-biblical version of blind faith must be deficient for two reasons: first, Abraham is an example that can't be emulated--otherwise, again, he wouldn't matter. Second, the "knight of faith" (as Kierkegaard refers to Abraham) is not viewed as such by his contemporaries, because of his suspension of the ethical--the very thing that makes him an exemplar of godly action would render him a criminal in his own age. To commend or excuse unethical behavior based on the faith of the transgressor makes no sense, since we don't have access to his revelation, and if we did, his actions wouldn't be exceptional.
So what does this have to do with these missionaries in Haiti? The problem is not that these individuals conceived of themselves as having received orders directly from God (although some have made statements eerily close to such a claim), but that the U.S. as a whole operates with this City on a Hill mentality that always justifies itself based on some hazy endpoint by which we consider ourselves essentially better than others. How is it even debatable that taking thirty-three children from their home country without documentation, without verifying whether they're all actually orphans, without getting permission from any of the three nations involved, would be a case of child trafficking? It's really only debatable if there's some essential difference between these kidnappers and real kidnappers. So when they say "we are not kidnappers," they can't possibly mean that they didn't take children without permission; what they can mean is that they aren't Ukrainian pornographers, Thai pimps, Mauritanian slave drivers, etc. What they mean is "we are Americans," and that's supposed to be a valid defense. Still, no one in their right mind would deny that such actions--even if committed with the best of intentions--have massive potential for now giving the green light to "real" traffickers. And yet every day on every channel defenders of these people's actions are taken seriously when they defend them not on the grounds that their violation of the law was a mistake, an idiotic and arrogant move that they regret, but that they didn't violate the law because they acted in good faith.
By this absurd logic a surgeon could retroactively excuse operating with blunt instruments if he just claimed belief that those instruments were somehow better than whatever else was available. And that's exactly the mentality with which we so often excuse our actions*. Take the horrors of Blackwater (whose CEO, by the way, saw himself as a Christian crusader) in Iraq and how they're so often handled by defenders of the Bush administration. They're not murderers, they just made some mistakes. That those mistakes actually include murder doesn't make them murderers. Why? Because they had the right idea, and so did we when we hired them. So although I'll reiterate that I believe the Central Valley Baptists acted with the best of intentions, I'd also add that those intentions are only any good within an all-too-prevalent ideology which dictates that the job of charitable Americans is not just to help the less fortunate survive and get back on their feet, but to save them from themselves and to do so by converting them to our clearly superior ways.
*Of course, this situation in Haiti is an isolated and highly unique incident; this kidnapping isn't part of American policy in that region, nor is it the modus operandi of the vast majority of Christian missionaries. However, it is indicative of an underlying sense of entitlement drawn from the popular (and almost exclusively Christian) notion of American exceptionalism. Would the conversation about this issue be so polite and receptive to their defenders if the missionaries had been Venezuelan? What if they represented a mosque instead of a church? I don't think it would.
Tuesday, June 24, 2008
George Carlin, 1937-2008.
When I was fifteen years old, I volunteered at a public access television station in Artesia that catered mostly to the city’s Portuguese community. The most popular show (which still runs to this day) was a three hour-long Portuguese language program hosted by a middle-aged blind man with a seductive baritone voice and a bottomless store of mother-in-law jokes. One day Manuel Ivo, sitting bolt upright with his shade-covered gaze fixed just above my head as always, told me that his neighbor was moving out and had given him a stack of records that he didn’t want to store. “I don’t want them either,” he told me. “Come over and see if there’s anything you’d like.” Long story short: there was plenty that I liked. This vinyl collection ranged from the absurd (“Nilsson Schmillson” and the soundtrack to that appallingly bad Sergeant Pepper’s movie with the Bee Gees) to the eyebrow-raising (a Danish release of Jimi Hendrix’s greatest hits) to the downright exciting (original pressings of Pink Floyd’s “Wish You Were Here” and Led Zeppelin’s “II”). Among the exciting was George Carlin’s “Class Clown” EP. I knew who Carlin was, of course, but I can't say I really knew who he was, why he mattered. All I really knew was that the cover of this album had a picture of the old guy from "Bill and Ted's Excellent Adventure" on it, but he was young. He wore blue jeans and a tight-fitting blue denim jacket with no shirt on underneath, and he sat on a stool with his back turned to a chalkboard. He faced the non-existent classroom with his eyes wide open, middle finger bent to look as if he'd shoved it knuckle-deep into his right nostril.George Carlin was the perfect anti-hero for a mindset that I don’t think I’ve ever really outgrown: he was the dunce who could outwit his entire class, the erudite underachiever, the intelligent stoner with a "fuck you" always on reserve and bubbling just beneath the surface. I loved George Carlin before hearing so much as a word from that album, but of course the record (which includes the notorious "Seven Words" bit) fully delivered on its sleeve's promise and—angry little shit that I was—I instantly became a devotee of St. George's Church. I don't know if I can say that I absolutely "got it" back then, but I don't think that my angsty teenage understanding of Carlin's humor was so far from getting at the crux of his impressive career.
So, what was to be gotten? Why did George Carlin matter? He was certainly a titan of comedy and a cultural force to be reckoned with, but it isn’t so simple to define what it was that he actually did beyond making us laugh (not to downplay the importance of laughter). The institutions that he habitually punctured remain intact, the injustices and absurdities that he so acutely pointed out have not become less prevalent—so what did George Carlin do? In a popular landscape where everybody has something to say (didn’t Pink write a song about Dubya?), why did Carlin stand out as someone to whom we should all be listening?
George Carlin was an eiron to all the bluster and puffed-up stupidity of an unjust, wasteful and shallow society. He was a trickster character, subverting norms and violating taboos at every turn, whose only concrete agenda was exactly that: to violate every absurd rule that he could, thus chipping away at the ridiculous system that propped up such oppression. Carlin filled the role of ironic sidekick that Kierkegaard assigns to John the Baptist in The Concept of Irony: not the positive force of the Messiah establishing a new world order, but the negative force of one who picks apart the established order from the inside by demanding that it deliver on the promise of its own ideals.
John the Baptist—the disheveled, belligerent, insane prophet—is not the revolutionary hero per se, but lays the groundwork for revolution by rejecting that which is established and accepted as given: “For just like the law, irony is a demand, an enormous demand, because it rejects reality and demands ideality.” (CI 213) Kierkegaard makes this observation in a comparison of John the Baptist with Socrates, in which he notes that—as Robert Perkins writes—both the Pharisees and the sophists failed to grasp “the discrepancy between the phenomenon and the essence and…the seriousness of this discrepancy.” (CI 376) I can’t think of a better way to describe Carlin’s importance as a commentator on American society. The phenomena of American life do not live up to—and in fact all too often shamelessly contradict—the essence of its ideals. The honest, just observer cannot then merely beg for change within the everyday operations of that system, but rather must demand that the system recognize itself as undeniably corrupt—and if the system will not recognize itself as such, it must be dismantled from within. This dismantling must be gradual, and must be propagated through a changing of the minds that operate daily within the very machine that oppresses them. Irony is, like John the Baptist, a presence that wags its finger at a broken world and demands that it fix itself:
Irony is a disciplinarian feared only by those who do not know it but loved by those who do. Anyone who does not understand irony at all…lacks what momentarily is indispensable for personal life; he lacks the bath of regeneration and rejuvenation, irony’s baptism of purification that rescues the soul from having its life in finitude even though it is living energetically and robustly in it. (CI 326)
This passage—especially the phrase “feared only by those who do not know it”—brings to mind Jon Stewart’s infamous appearance on CNN’s “Crossfire,” the interview that allegedly led to the show’s cancellation and resulted in the station’s refusal to renew pundit Tucker Carlson’s contract. Throughout this interview—a YouTube favorite—a progression is visible in the faces and demeanor of hosts Tucker Carlson and Paul Begala. At first, they’re apparently thrilled to have Stewart on. This changes rather quickly when it becomes clear that the comedian does not intend to put on a comedy routine, but rather to censure them about their show “h-h-hurting
Bewildered, Carlson tells Stewart that he’s not funny. “No, but I’ll go back to being funny tomorrow," Stewart answers, “and your show will still blow.” Laughter, applause. Later, in response to demands that he be funny and not sententious, Stewart sneers at Carlson and mutters, “No. I’m not going to be your monkey.” They trade insults back and forth until even the “liberal” Begala can hardly conceal his disdain behind that creepy grin that’s been painted on since Bill Clinton ran for president. What strikes one while watching this is how desperately lost Carlson and Begala are—they just don’t get it. One gets the sense that their staff handed out tickets outside the studio and deliberately sought out Stewart’s fans, wanting to fill the seats but oblivious to the fact that Stewart’s whole shtick is skewering the very type of show he’s about to be on. To them Stewart is just a “liberal,” like all the other castrated liberals and conservatives they’re used to having, he’s supposed to show up and voice his disapproval of the Bush administration, tell a couple of jokes, side with Begala against Carlson, shake hands, good day. When Stewart doesn’t follow the script, vertigo hits and nobody knows where they are anymore.
Jon Stewart was invited to “Crossfire” for the same reason that big name politicians scramble to get on his show: they hope some of his credibility will rub off on them. And for the most part, it’s rather obvious that they can’t stand how much credibility he has. You can see this in the “Crossfire” incident, when towards the end there’s a hint of hateful frustration in the way Carlson addresses Stewart, who refuses to let up even for a second. For a person whose life has been dedicated to powerful brown-nosing in order to get the hottest scoop, Stewart’s legitimacy as a commentator is the worst kind of usurpation—but that’s precisely why he has that legitimacy in the first place. Americans are perfectly aware of the fact that we’re being lied to daily, hourly, constantly—to the extent that being an insider is no longer a sign of journalistic credibility but rather evidence of the most abject collusion. And since those giving us the story can’t be trusted, and those with access to information continue to distort it, we can only trust those who pick it apart and denounce its corruption.
That is how irony works negatively, and it’s why Stewart’s “fake news” and Colbert’s “truthiness” have eclipsed so much (to be clear, though, not all) “legitimate” political analysis. That negativity is what people like Tucker Carlson seem to struggle to understand: who the hell is this guy, and what exactly does he do? Why is he so important? Of course, when these questions are put to Stewart, the answers are, respectively, “Nobody. Nothing. I’m not.” But a man as well-read as Jon Stewart, as admiring of Twain and Swift, knows exactly who he is, what he does, why he matters—denying his power is simply what makes him effective. It's negation all around.
The sort of romantic irony of a satirist like Stewart is that the strength of his punch comes largely from his charade of weakness. Aware of his own limitations, he loses no opportunity to remind interviewers that he is only a comedian and his is only a comedy show, that nothing he says matters, that his own interviews are notoriously soft-hitting, etc. And with each denial, the aura of respectability strengthens, the immunity of the jester is reinforced, John the Baptist converts another sinner while the Pharisees and Romans alike scratch their heads, unaware of their own impending oblivion.
It is precisely because the satirist denies his own importance that he matters. Should even the sharpest ironist ever proclaim his own positive revolutionary potential, he would instantly become subject to the same scrutiny as his targets. Thrust into an arena with beasts, the adept penman would find himself desperately wanting a sword. But so long as he stands outside and gently harangues the spectators, drawing them in with laughter only to expand their minds with truth, the subversive eiron might slowly set in motion the downfall of the whole corrupted coliseum.
We’ve lost one of those with the death of George Carlin, but we’ve also gained several of them through the influence of his life’s work. One can only hope that, in this age of sound bites and embedded reportage, American discourse does not forget the importance of listening to the ferocious humor of those angry jesters, bitter eirons, mischievous tricksters and insane prophets.